33 & 44

     It was 1980 - 33 years ago - that Crites and Moore were wed.
And we're still together.
Who'd a thunk it?

And this is also the week that Doug celebrated 44 years with IBM.
Yikes!

Hmm ... 33 years with me, 44 with IBM ...
I think this means he can put up with anything.

500 Felt Objects

I've received my copy of 500 Felt Objects (Lark Press), by Nathalie Mornu. What a gorgeous book! It is amazing, with so many incredible examples of felt fiber art, it takes my breath away. I am really, truly honored to be included in this international group of fiber artists.

The juror for this book was Susan Brown, associate curator of textiles at the Cooper Hewitt, National Design Museum in New York City. Brown was curator of the 2009 exhibit, Fashioning Felt, which was a spectacular assemblage of felt art. Just knowing that she looked at my work and chose to include it makes me feel extremely good.

The diverse objects run the gamut from garments to sculptural forms to home decor, with many stops in additional categories along the way. With so many diverse objects pictured, the layout of the book must have been a wonderful challenge. Art Director Matt Shay's thoughtful choices make the book a lovely pleasure to behold. You'll have to pick up the book for yourself to see how beautifully put together it is. As an enticement, here is a small selection of felt objects from the book:

Elena Kihlman: Rugiada Panel;  Pudelskern: Fat Sheep;  Malin Sjostrand: Carpet

Angelika Werth: Ode to the Fishmonger;  Sarah Fox: Home Bracelet;  Yeseul Seo: The Reborn Rabbit

Morna Crites-Moore: Pieces of Dreams
 

In other news, you may have noticed that my blog has a whole new look.  It is still a work in progress, but I think I have the general look figured out. I did it mostly because I was growing tired of all the brown in my former design. I love brown and I used to love having it as my background color, but somewhere along the way it started to look dark and depressing. I just started hungering for white and light, so here it is. 

I also decided to make my banner non-specific to a particular art form. Traditionally, I've represented myself with pictures of my fiber art, but I know jewelry will become more and more a part of what I do and I also do so much more here than just show my own work. So, instead of representing some particular art form, I hope my banner simply says: Something beautiful is happening here. 

I'd love to know what you think.

A little something .....


Something I've been working on.

This is how it always is. It starts out as a sweater, maybe at a yard sale, or the Salvation Army. The sweater comes home with me and joins the piles of other sweaters, crowding me out of my studio. I sort them. I bag them. I sneak them into my husband's office. Anything to be rid of them. Anything, that is, except for what I am supposed to do with them - which is to wash them, over and over, until they become lovely, thick wool felt. And the colors ... the colors are so marvelous. A seemingly infinite variety of reds, or blues, or even whites. I'm amazed by how many different shades of  white there are.

Eventually, hubby grows weary of his office being my attic, and he brings them all back to me. Except now, instead of being in big, lumpy plastic garbage bags, they are all in big Rubbermaid bins. Big, ugly grey bins with orange lids. Why can't hubby be addicted to buying old wooden trunks at the flea market, instead of these hideous things from the hardware store?

I move the ugly bins into the bedroom. Surely they will be such a daily eyesore that I'll get to work and soon I'll have a lovely pile of felted and pressed pieces of wool to play with. And the bins can go back to the basement.

Um, do you know how handy four big bins can be? It's like another table on which to pile STUFF. I don't even see the bins anymore. They're still there, but they're well covered, and I'm used to them.

But I digress. What I'm really thinking about is how the lovely felted wool becomes a little piece of art, or maybe a big piece of art, but definitely something worth looking at. And touching. And feeling.  It always starts with those few scraps. And, when put together, they take on a new life. Then even more energy seems to just happen, when a little vintage button gets popped on top of the small collection of scraps. And, finally, the amazing transformation that happens when all those stitches get piled onto the mix. It's just wonderful.

And to think, a few miserable months ago, I wasn't sure I wanted to keep working with sweater wool at all.  :)

Last Batch of Old Bag's Old Bags

Click on a title if you want to see the whole picture: 1. 1996, 2. 1997 cuff bag, 3. 1998, 4. 1998, 5. 1998 pink cuff bag, 6. 1998 purple with heart, 7. 1998, 8. 1998 teeny brown with penny, 9. 1998 tiny purple with heart, 10. 1999, 11. 1999, 12. 1999 This is pretty much the end of that old batch of bag photos which I came across recently. I hope you've enjoyed these strolls down Memory Lane. :)

I Want an Embellisher!

I keep seeing such gorgeous examples of what can be made with an embellisher; I must have one! I want to experiment with it! I want to make new and exciting things with it. My poor muse has just been begging me to get some new T's - I just call them T's because I never can decide if they are Tools (because they are so necessary for getting the job done) or Toys (because, face it, they are so much fun to work/play with).

For this week's Friday Flickr Favorites, here are some examples of beautiful embellisher work. And not pictured here (I have trouble getting her images to copy) but definitely worth a look-see, is the work of Sara Lechner and also the gorgeous embellishments made by Beate Knappe.


Click on a title to see the full picture on the photographer's Flickr page: 1. Pinks and Greens embellisher play, 2. flowers on felt background, 3. purse 1, 4. summerembroidery 2, 5. Maureen's journal cover, 6. Cottage in a Meadow, 7. Untitled, 8. Star Garden, 9. felted spring flowers

UPDATE: Shame on me for just assuming everyone knows what an embellisher is. An embellisher is a machine, similar in appearance to a sewing machine, which uses special barbed needles to create a marriage of fibers. It is usually used to turn wool roving into wool felt; often there are additional embellishments in the form of other textiles added to the mix, such as silk or cheesecloth. The process is called needle felting and historically has been done by hand, using a needle felting tool, i.e. a knob of some sort in which the barbed needles are held securely. The user plunges the needle, repeatedly, in and out through the layers of fibers (hmmm, I could probably write this section like a semi-porny romance novel). The fibers get caught on the barbs and enmeshed with each other. The machines which are used for this purpose are called embellishers. They make the process much easier to complete. Among the companies which make embellishers are: Babylock, Janome, and Pfaff. Bernina makes an attachment that can be used as a needle felter. There is also an attachment that can convert a machine into an embellisher, recommended for use if you have an old machine that's been gathering dust ever since you got your new machine. :)

Here are some links where you can learn more: