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Morna Crites-Moore

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ROSEANNE’S CHRISTMAS TREE

Big Hands ... Tiny Art

May 14, 2016

Today is the day, finally! Doug’s first-ever show of his teeny-tiny cut paper art is on display at the Mark Twain Library in Redding and today is the opening reception.

I’m just going to share a few photos here, along with excerpts from the lovely news article, written by Maggie McIntire.

 

Standing at 6’4, Doug Crites-Moore nearly fills the doorway when he enters a room, yet his passion is sitting at his dining room table for hours on end, creating whimsical paper sculptures that stand about an inch tall.

Nearly 40 of Crites-Moore’s intricate works are now on display at the Mark Twain Library. Crites-Moore, a longtime Redding resident, will give a gallery talk and share the process and inspiration behind his work on Saturday, May 14 at 3 p.m.

 
 

TINY WOVEN PAPER SHOE :: ONE INCH LONG BY HALF INCH WIDE

 
 

For as long as he can remember, Crites-Moore said he had a fascination with “tiny things.” He made his first paper sculpture, a stereo console cabinet, when he just 10 years old, growing up in Oregon.

“It’s hard to explain. I’ve just always had an interest in making really tiny things. It’s in my DNA,” said Crites-Moore, a retired Senior Marketing Manager at IBM. “For me, it’s Zen – total peace. When I’m making these things, it’s the closest thing to being in my heart.”

 

CHRISTMAS TREE WITH TRAIN ON TRACK AROUND THE BASE :: THREE INCHES TALL

 

The tools he uses include water color paper, dental implements, tiny scissors, X-Acto knives, blades, little clamps and tacky glue. He often creates the sculptures to give away as gifts, or to celebrate holidays. Crites-Moore said some creations take just a couple hours, and others have to be assembled in stages over the course of several days. One of his favorite works is a gift he made for his daughter, Adeline, a Noah’s Ark that stands just an inch and half tall – with miniature Noah and his wife standing on deck, tiny birds flying overhead and four pairs of animals marching aboard.

 
 

ADELINE’S ARK :: ABOUT TWO INCHES TALL AT ITS TALLEST POINT

 
 

Crites-Moore said his wife Morna, has encouraged him to follow his passion for turning plain white paper into works of art.

“She has always seen that I’ve had this thing, this passion… she encourages me all the time, ’’ Crites-Moore said.

 
 

THE MAN HIMSELF :: 6’4" TALL

 

In case you’re wondering, I am 5’ 1" tall. I used to be 5’ 4" tall - and I thought that was short. It’s a good thing Doug likes tiny things, although I’m only tiny in the vertical. 

In Fiber/Textiles Tags paper, Doug's Paper Art, shows/exhibits, Doug, tiny things, miniatures
6 Comments
OMBROUCHURE :: SOOO-Z MASTROPIETRO :: WESTPORT, CT

OMBROUCHURE :: SOOO-Z MASTROPIETRO :: WESTPORT, CT

Canton Reception Was A Blast

April 28, 2016

The Connecticut Scissorhands opening reception at the Gallery on the Green in Canton was so much fun! I kind of groaned about going because it is an hour and a half drive, each way, and I was going solo, and I'd be driving home at night, which is not my favorite thing to do.  

But I'm so glad I went! It is a wonderful show! 

HOMAGE TO ANNI :: CHRISTINE WILKINSON :: SOUTHBURY, CT

There was a fabulous turnout - it was opening night for three shows - one in each of their three galleries, which made for an awesome collection of art lovers and artists, connecting over food, wine, and ... you know ... ART. 

 
KOZO TOTEM (detail) :: JENNIFER DAVIES :: BRANFORD, CT

KOZO TOTEM (detail) :: JENNIFER DAVIES :: BRANFORD, CT

 

Canton apparently has a strong community of art lovers - the Canton Artist's Guild bills itself as Connecticut's oldest running artist's guild. The guild has been hosting shows at its Gallery on the Green since 1960. 

DRAWINGS FROM THE STARGAZER'S DIARY :: JENNIFER COYNE QUDEEN :: REDDING, CT

DRAWINGS FROM THE STARGAZER'S DIARY :: JENNIFER COYNE QUDEEN :: REDDING, CT

Congratulations to Jennifer Coyne Qudeen, whose wall of wonderfully rusted and stitched cloth squares received the Award of Excellence.

DRAWINGS FROM THE STARGAZER'S DIARY (detail)

DRAWINGS FROM THE STARGAZER'S DIARY (detail)

DRAWINGS FROM THE STARGAZER'S DIARY (detail)

DRAWINGS FROM THE STARGAZER'S DIARY (detail)

DRAWINGS FROM THE STARGAZER'S DIARY (detail)

DRAWINGS FROM THE STARGAZER'S DIARY (detail)

morna crites-moore

Connecticut Scissorhands is a curated exhibit of work by the Connecticut Chapter of Surface Design Association. It will be on view at the Gallery on the Green, in Canton (CT), through May 22.

In Fiber/Textiles Tags Canton Artist's Guild, Gallery on the Green, SDA, Surface Design Association, CT Scissorhands, shows/exhibits, fiber artists
2 Comments

On Exhibit - with reception this Saturday

April 21, 2016
 

BLOOD MOON :: 6.25" H x 6.50" W :: vintage cottons and linens, sourced from old clothing and quilter's scraps :: woven in strips, torn, patched, and heavily stitched. 

 

I am honored to have my work selected for inclusion in Connecticut Scissorhands at the Canton Artists’ Guild at Gallery on the Green.

A curated exhibit by the Connecticut Chapter of Surface Design Association
April 22 - May 22, 2016
 
Opening Reception: Saturday April 23, 2016 - 6pm to 9pm

In Fiber/Textiles Tags shows/exhibits, little quilts, stars, stitching, red
6 Comments

A Visit to Helena Hernmarck's Studio

April 13, 2016

How do you like these threads? Such gorgeous colors, mingling in their basket. Where did I photograph them? At Helena Hernmarck's studio! What a wonderful few hours were had by our small group, nine of us, all members of Surface Design Association (SDA).

Here is the magnificent wall of wool threads ... and this photo doesn't even show all of it. The studio is grandly spacious, with twenty-foot ceilings. The building, which is on the same property as her house, was designed by her late husband, Nils, an architect.

I love this story: Many years ago, they bought this beautiful piece of land and made do for several years, living in the house which was on the property when they bought it, until they were able to build their home, designed by Nils. What did they build first? The studio! That's a definite case of having one's priorities in correct order. 

Helena Hernmarck explaining a process at one of the many outstanding looms in her studio. What a very special person she is, to give us so much of her time, her knowledge, her energy, and her spirit. She is enormously talented, with a storehouse of information to share. She is also quite sweet and a charming teller of stories.

Everywhere I looked, I saw threads ... and colors ... and threads ... and colors ... and threads ...

Helena Hernmarck showing us a piece she is working on ... gorgeous! I wish I could explain to you how complex the work is that goes into each of her tapestries. For one thing, it's not just a woven picture: there are layers of weaving, one on top of the other, with some weaving done from the front and some from the other side ... upside down and backward. Everything is mapped out in detail, on paper, before any loom work begins. These preliminary, full-size renderings, called cartoons, look very complicated to me. Perhaps I should have paid more attention in math class because this form of art requires far more than mere inspiration to create a finished piece of work. 

And most of Hernmark's pieces are enormous, which necessitates a clever way to view them properly while working on them at such close quarters. A small, hand-sized telescope of sorts is used ... but she looks through the "wrong" end and is thus able, at close quarters, to assess progress on a piece, as it will look when properly viewed from a distance.

This is the back side of the piece above. It is interwoven with marvelous strips of auroraborealis-like color. The reason why there are all those cut out circles is because Hernmarck sources this material from a factory that makes sequins; this is what is left behind, after the sequins have been cut out! 

More of her fabulous yarns. They are from a particular breed of sheep which is found in her homeland of Sweden. The dyes are mixed especially for her, to her specifications. 

We also had a wonderful visit in Helena's home. I would have loved to take pictures but it seemed like it would be much too much of an invasion of her privacy, so I resisted! I'll have to depend on my memory to revisit the delightful spaces in Helena Hernmarck's home.

To learn more, visit Hernmarck's website: http://www.hernmarck.com.

In Fiber/Textiles, Artists Tags tapestry, weaving, Helena Hernmarck, studios, color, Surface Design Association, SDA

BLUE WASH I and BLUE WASH II - 1984  20' x 11'  Displayed in Fountain Court, Minneapolis Institute of Art. Photo: Minneapolis Institute of Art. Go to MIA to see Hernmarck's tapestry titled, Tablecloth from a five-piece set; it is astonishing.

Homage to Helena Hernmark

April 8, 2016

"Of the artists working in tapestry today, Helena Hernmarck stands without peer."   

- Jack Lenor Larson

 

Helena Hernmarck chats with a fan.

Helena Hernmarck chats with a fan.

I recently attended a talk by Helena Hernmarck, held at Redding's lovely Mark Twain Library. It was thrilling. To see slide after slide of glorious tapestries, spanning more than 40 years of work and all explained by the magnificent maker herself ... well, it rocked my soul! Hernmarck is a delightful and compelling speaker. What's more, even her earliest work is drop dead gorgeous, so the entire evening was pure pleasure. 

Audience members enjoyed studying a piece of tapestry by Helena Hernmarck.

Audience members enjoyed studying a piece of tapestry by Helena Hernmarck.

Hernmarck has a unique ability to fool the viewer's eye, as with this example of spatial illusion.

Hernmarck has a unique ability to fool the viewer's eye, as with this example of spatial illusion.

Hernmarck's body of work is so exciting and her accomplishments, not the least of which is her invention of a new way of tapestry weaving, are truly impressive. Give yourself a treat: set aside some time, make yourself a pot of tea, and visit her website: http://www.hernmarck.com. I'm pretty sure you'll enjoy wandering around in her online world.

ENVELOPE FROM SWEDEN - 1992  In Our Nature exhibition at American Swedish Institute  Photo: Norman McGrath  Collection: Minneapolis Institute of Art. 

In Fiber/Textiles, Artists Tags weaving, tapestry, Helena Hernmarck, Mark Twain Library

Crosses

March 25, 2016

Stitching tiny crosses in each quadrant, but concerned that there is not enough color contrast. Do they disappear into the textile? Also really wonder where I am going with this.

Some pieces are glorious ideas, fully realized in my mind before I start. Even though they may veer off course once I start doing the actual work, there is a certain exhilaration in knowing I am working toward a goal which I already love. This isn't one of those pieces! This is the sort of work where I pick up pieces which I yearn to make into something beautiful and then I hope those pieces will talk to me once I start handling them. It's an equally wonderful process, often more satisfying than the one which involves the pre-conceivd notion. But I sometimes feel a bit lost and quite unsure if I am heading in the right direction. That's where I am at the moment. 

In Fiber/Textiles Tags stitching, crosses, WIP
4 Comments
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